It is with sadness that I must report that our proposed session on "Frankenstein
and the American Dream?" (details at https://frankensteinandthefantastic.blogspot.com/2017/02/ala-panel-details.html) has been rejected
by the organizing committee of the American Literature Association.
Michael Torregrossa
Area Chair
Mary Shelley's novel Frankenstein was published in 1818 and, over 200 years later, still remains a profound influence on modern culture. Frankenstein and the Fantastic, an outreach effort of the Northeast Alliance for the Study of the Fantastic and the Fantastic Areas (Fantasy & Science Fiction and Monsters & the Monstrous) of the Northeast Popular Culture/American Culture Association, is designed as a resource for celebrating the text and its legacy.
Celebrating in 2026: the 105th anniversary of the lost film Il Mostro di Frankenstein (1921); the 95th anniversary of Universal Studios’ Frankenstein (1931); the 60th anniversary of Dell Comics’ superhero version of Frankenstein (1966), Hanna Barbera’s television hero Frankenstein Jr, co-star of the series Frankenstein Jr. and The Impossibles (1966), and the films Jesse James Meets Frankenstein's Daughter (1966) and The War of the Gargantuas (1966); the 55th anniversary of General Mills’ cereal mascot Franken Berry (1971); the 50th anniversary of the Saturday-morning television series Monster Squad (1976); the 45th anniversary of the anime film Kyofu Densetsu: Kaiki! Furankenshutain (1981); the 40th anniversary of Ken Russell’s film Gothic (1986) and Fred Saberhagen’s novel The Frankenstein Papers (1986); the 25th anniversary of Curtis Jobling’s picture book Frankenstein's Cat (2001); the 20th anniversary of Grant Morrision’s comic book series Seven Soldiers: Frankenstein (2006); the 15th anniversary of Nick Dear’s play Frankenstein (2011); the 10th anniversary of the Royal Ballet's production of Frankenstein (2016); and the release of Maggie Gyllenhaal’s film Bride! (2026).
Saturday, February 25, 2017
Thursday, February 9, 2017
CFP Romanticism and Popular Culture (5/15/2017; SAMLA)
Of potential interest:
Romanticism and Popular Culture
Event: 11/03/2017 - 11/05/2017
Abstract: 05/15/2017
https://www.cfplist.com/CFP.aspx?CID=10778
Location: Atlanta, Georgia, USA
Organization: Keats-Shelley Association of America and the South Atlantic Modern Language Association
Romanticism and Popular Culture, an affiliated session of the Keats-Shelley Association of America at the South Atlantic Modern Language Association 89th Annual Conference in Atlanta, Georgia, USA (3-5 Nov. 2017)
In keeping with this year’s conference theme (“High Art/Low Art: Borders and Boundaries in Popular Culture”), this panel seeks papers that address topics related to popular culture and British Romantic-era literature, although other Romanticism-related topics certainly will be considered. Sponsored by the Keats-Shelley Association of America, this affiliated session especially welcomes papers related to second-generation Romantic-era British writers and/or their literary circles, namely those addressing the lives and/or works of John Keats, Percy and Mary Shelley, Lord Byron, Leigh Hunt, and William Hazlitt.
See <http://k-saa.org> for more information about the Keats-Shelley Association of America.
Please send a 250-word abstract, bio or CV (no more than ONE page), and any audio-visual requests to Ben P. Robertson, Troy University (bprobertson@troy.edu), by 15 May 2017.
Contact Email: bprobertson@troy.edu
Website: https://samla.memberclicks.net/
Romanticism and Popular Culture
Event: 11/03/2017 - 11/05/2017
Abstract: 05/15/2017
https://www.cfplist.com/CFP.aspx?CID=10778
Location: Atlanta, Georgia, USA
Organization: Keats-Shelley Association of America and the South Atlantic Modern Language Association
Romanticism and Popular Culture, an affiliated session of the Keats-Shelley Association of America at the South Atlantic Modern Language Association 89th Annual Conference in Atlanta, Georgia, USA (3-5 Nov. 2017)
In keeping with this year’s conference theme (“High Art/Low Art: Borders and Boundaries in Popular Culture”), this panel seeks papers that address topics related to popular culture and British Romantic-era literature, although other Romanticism-related topics certainly will be considered. Sponsored by the Keats-Shelley Association of America, this affiliated session especially welcomes papers related to second-generation Romantic-era British writers and/or their literary circles, namely those addressing the lives and/or works of John Keats, Percy and Mary Shelley, Lord Byron, Leigh Hunt, and William Hazlitt.
See <http://k-saa.org> for more information about the Keats-Shelley Association of America.
Please send a 250-word abstract, bio or CV (no more than ONE page), and any audio-visual requests to Ben P. Robertson, Troy University (bprobertson@troy.edu), by 15 May 2017.
Contact Email: bprobertson@troy.edu
Website: https://samla.memberclicks.net/
Thursday, February 2, 2017
ALA Panel Details
I am pleased to report that Frankenstein and the Fantastic has submitted the following panel to the organizers of the American Literature Association. Notification of acceptance is in March.
Frankenstein
and the American Dream?
Sponsored by Frankenstein
and the Fantastic, an outreach effort of the Fantastic (Fantasy, Horror, and
Science Fiction) Area of the Northeast Popular Culture/American Culture
Association
Organizer and Chair: Michael A. Torregrossa, Independent
Scholar
1. “Bride of Frankenstein as Parody of the
Christ Narrative,” Martin F. Norden, University of Massachusetts Amherst
2. “Frankenstein
and Fulfilling the American Dream: Why We Root for the Underdog,” Cheryl A.
Hunter, University of Massachusetts Lowell/Southern New Hampshire University
3. “Life,
Liberty, and the Pursuit of Love: ‘Happily Ever After’ in Adaptations of Frankenstein,” Maggie Damken,
Independent Scholar
4. “ ‘And What
Was I?’ The Power of Aesthetic Perception in Shelley’s Frankenstein,” Jobin Davis, University of Central Missouri
Audio-visual equipment required: dvd player, projector,
and screen.
Frankenstein
and the Fantastic, an outreach effort of the Fantastic (Fantasy, Horror, and
Science Fiction) Area of the Northeast Popular Culture/American Culture
Association, seeks in this panel to highlight some of the various ways that
Americans have shaped and/or appropriated the Frankenstein story. We begin with Martin Norden’s examination of The Bride of Frankenstein, the sequel to
Universal Studio’s Frankenstein; both
films have had an enormous impact of Americans’ conception of Frankenstein and our reaction to its
creature. Next, we have two related papers, by Cheryl A. Hunter and Maggie
Damken, respectively, each of whom highlight some of the ways that American
creators have produced new narratives that further rewrite Shelley’s story to
allow the creature access to some of the privileges accorded to all Americans. Finally,
Jobin Davis explores ways in which the Frankenstein
story has a more direct influence on the lives of Americans through the
experiences of transgender individuals.
Thursday, January 5, 2017
CFP Frankenstein and the American Dream
Frankenstein
and the American Dream?
Frankenstein and the Fantastic, an outreach
effort of the Fantastic (Fantasy, Horror, and Science Fiction) Area of the Northeast
Popular Culture/American Culture Association seeks proposals for a panel in commemoration
of the endurance of Frankenstein and
the Frankenstein tradition. The
session is being submitted for the 2017 meeting of the American Literature
Association to be held in Boston, Massachusetts, from 25-28 May 2017.
Mary Shelley’s Frankenstein celebrates the two-hundredth
anniversary of its publication in 2018, and, over the almost two centuries of
the story’s existence, Frankenstein,
its characters, and its themes have inspired a myriad range of creative responses,
including retellings, adaptions, linked texts (i.e. prequels, midquels and sequels), recastings, and allusions.
American creators seem to have been especially fascinated by Frankenstein and its textual progeny,
and American-made productions have offered many thought-provoking
transformations of Shelley’s work.
What is most
interesting is that some of these American works promote happy (or at least
happier) endings to the tale that permit the creator and/or his creation to
live beyond the ending prescribed by Shelley’s narrative. This has allowed them,
the creature most importantly, to achieve (at least to some extent) the privileges,
available to all Americans, of life, liberty, and the pursuit of happiness. In seeking
and claiming aspects of the American dream for Shelley’s characters the Frankensteiniana
of the United States provides insight in how one nation in particular has
adopted and appropriated Shelley’s story and made it its own.
We are especially interested
in proposals that explore how American-made texts relate to Shelley’s novel and
the larger tradition of Frankenstein-related
texts in popular culture. Possible options would include works by American production
companies (film and television studios, publishing houses, comic book companies,
etc.), American-born creators working
either in the United States or abroad, and foreign-born creators working for
American companies. Additional options might explore Frankenstein and Frankenstein-related
texts in an American context/setting.
Please submit
proposals to FrankensteinandtheFantastic@gmail.com
no later than 28 January 2017. A complete proposal should include the following:
your complete contact information, a clear and useful title of your paper, an abstract
of your paper (approximately 250 to 600 words), a brief biographical statement
explaining your academic status and authority to speak about your proposed
topic, and a note on any audio/visual requirements.
Further details on
the Fantastic (Fantasy, Horror, and Science Fiction) Area can be found at https://nepcafantastic.blogspot.com.
The Frankenstein and the Fantastic
project has its own dedicated site at https://frankensteinandthefantastic.blogspot.com/
that will be expanded in 2017.
Complete details
on the American Literature Association and its conference can be found at http://americanliteratureassociation.org/ala-conferences/ala-annual-conference/.
Subscribe to:
Posts (Atom)
