It is with sadness that I must report that our proposed session on "Frankenstein
and the American Dream?" (details at https://frankensteinandthefantastic.blogspot.com/2017/02/ala-panel-details.html) has been rejected
by the organizing committee of the American Literature Association.
Michael Torregrossa
Area Chair
Mary Shelley's novel Frankenstein was published in 1818 and, over 200 years later, still remains a profound influence on modern culture. Frankenstein and the Fantastic, an outreach effort of the Northeast Alliance for the Study of the Fantastic and the Fantastic Areas (Fantasy & Science Fiction and Monsters & the Monstrous) of the Northeast Popular Culture/American Culture Association, is designed as a resource for celebrating the text and its legacy.
Celebrating in 2026: the 105th anniversary of the lost film Il Mostro di Frankenstein (1921); the 95th anniversary of Universal Studios’ Frankenstein (1931); the 60th anniversary of Dell Comics’ superhero version of Frankenstein (1966), Hanna Barbera’s television hero Frankenstein Jr, co-star of the series Frankenstein Jr. and The Impossibles (1966), and the films Jesse James Meets Frankenstein's Daughter (1966) and The War of the Gargantuas (1966); the 55th anniversary of General Mills’ cereal mascot Franken Berry (1971); the 50th anniversary of the Saturday-morning television series Monster Squad (1976); the 45th anniversary of the anime film Kyofu Densetsu: Kaiki! Furankenshutain (1981); the 40th anniversary of Ken Russell’s film Gothic (1986) and Fred Saberhagen’s novel The Frankenstein Papers (1986); the 25th anniversary of Curtis Jobling’s picture book Frankenstein's Cat (2001); the 20th anniversary of Grant Morrision’s comic book series Seven Soldiers: Frankenstein (2006); the 15th anniversary of Nick Dear’s play Frankenstein (2011); the 10th anniversary of the Royal Ballet's production of Frankenstein (2016); and the release of Maggie Gyllenhaal’s film Bride! (2026).
Showing posts with label United States. Show all posts
Showing posts with label United States. Show all posts
Saturday, February 25, 2017
Thursday, February 2, 2017
ALA Panel Details
I am pleased to report that Frankenstein and the Fantastic has submitted the following panel to the organizers of the American Literature Association. Notification of acceptance is in March.
Frankenstein
and the American Dream?
Sponsored by Frankenstein
and the Fantastic, an outreach effort of the Fantastic (Fantasy, Horror, and
Science Fiction) Area of the Northeast Popular Culture/American Culture
Association
Organizer and Chair: Michael A. Torregrossa, Independent
Scholar
1. “Bride of Frankenstein as Parody of the
Christ Narrative,” Martin F. Norden, University of Massachusetts Amherst
2. “Frankenstein
and Fulfilling the American Dream: Why We Root for the Underdog,” Cheryl A.
Hunter, University of Massachusetts Lowell/Southern New Hampshire University
3. “Life,
Liberty, and the Pursuit of Love: ‘Happily Ever After’ in Adaptations of Frankenstein,” Maggie Damken,
Independent Scholar
4. “ ‘And What
Was I?’ The Power of Aesthetic Perception in Shelley’s Frankenstein,” Jobin Davis, University of Central Missouri
Audio-visual equipment required: dvd player, projector,
and screen.
Frankenstein
and the Fantastic, an outreach effort of the Fantastic (Fantasy, Horror, and
Science Fiction) Area of the Northeast Popular Culture/American Culture
Association, seeks in this panel to highlight some of the various ways that
Americans have shaped and/or appropriated the Frankenstein story. We begin with Martin Norden’s examination of The Bride of Frankenstein, the sequel to
Universal Studio’s Frankenstein; both
films have had an enormous impact of Americans’ conception of Frankenstein and our reaction to its
creature. Next, we have two related papers, by Cheryl A. Hunter and Maggie
Damken, respectively, each of whom highlight some of the ways that American
creators have produced new narratives that further rewrite Shelley’s story to
allow the creature access to some of the privileges accorded to all Americans. Finally,
Jobin Davis explores ways in which the Frankenstein
story has a more direct influence on the lives of Americans through the
experiences of transgender individuals.
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