Counting down to 2024: The sixtieth anniversary of The Munsters, the fiftieth anniversary of Mel Brooks and Gene Wilder's Young Frankenstein, the fortieth anniversary of Tim Burton's original Frankenweenie, the thirtieth anniversary of Kenneth Branagh’s film Mary Shelley's Frankenstein and Universal Studios’ television series Monster Force, the twentieth anniversary of Geof Darrow and Steve Skroce’s comic Doc Frankenstein and Stephen Sommers’s film Van Helsing, and the tenth anniversary of Stuart Beattie’s I, Frankenstein.

Thursday, January 5, 2017

CFP Frankenstein and the American Dream

Frankenstein and the American Dream?
Frankenstein and the Fantastic, an outreach effort of the Fantastic (Fantasy, Horror, and Science Fiction) Area of the Northeast Popular Culture/American Culture Association seeks proposals for a panel in commemoration of the endurance of Frankenstein and the Frankenstein tradition. The session is being submitted for the 2017 meeting of the American Literature Association to be held in Boston, Massachusetts, from 25-28 May 2017.
Mary Shelley’s Frankenstein celebrates the two-hundredth anniversary of its publication in 2018, and, over the almost two centuries of the story’s existence, Frankenstein, its characters, and its themes have inspired a myriad range of creative responses, including retellings, adaptions, linked texts (i.e. prequels, midquels and sequels), recastings, and allusions. American creators seem to have been especially fascinated by Frankenstein and its textual progeny, and American-made productions have offered many thought-provoking transformations of Shelley’s work.
What is most interesting is that some of these American works promote happy (or at least happier) endings to the tale that permit the creator and/or his creation to live beyond the ending prescribed by Shelley’s narrative. This has allowed them, the creature most importantly, to achieve (at least to some extent) the privileges, available to all Americans, of life, liberty, and the pursuit of happiness. In seeking and claiming aspects of the American dream for Shelley’s characters the Frankensteiniana of the United States provides insight in how one nation in particular has adopted and appropriated Shelley’s story and made it its own.
We are especially interested in proposals that explore how American-made texts relate to Shelley’s novel and the larger tradition of Frankenstein-related texts in popular culture. Possible options would include works by American production companies (film and television studios, publishing houses, comic book companies, etc.), American-born creators working either in the United States or abroad, and foreign-born creators working for American companies. Additional options might explore Frankenstein and Frankenstein-related texts in an American context/setting.
Please submit proposals to FrankensteinandtheFantastic@gmail.com no later than 28 January 2017. A complete proposal should include the following: your complete contact information, a clear and useful title of your paper, an abstract of your paper (approximately 250 to 600 words), a brief biographical statement explaining your academic status and authority to speak about your proposed topic, and a note on any audio/visual requirements.
Further details on the Fantastic (Fantasy, Horror, and Science Fiction) Area can be found at https://nepcafantastic.blogspot.com. The Frankenstein and the Fantastic project has its own dedicated site at https://frankensteinandthefantastic.blogspot.com/ that will be expanded in 2017.
Complete details on the American Literature Association and its conference can be found at http://americanliteratureassociation.org/ala-conferences/ala-annual-conference/.

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