Frankenstein (1818): The Norton Critical Edition

Frankenstein, Second Edition
Norton Critical Editions
Mary Shelley (Author), J. Paul Hunter (Editor, University of Chicago)
http://books.wwnorton.com/books/webad.aspx?id=21895

Paperback
Book Details
Retail: $17.50
December 2011
ISBN: 978-0-393-92793-1
544 pages



Description:

The best-selling student edition on the market, now available in a Second Edition.

Almost two centuries after its publication, Frankenstein remains an indisputably classic text and Mary Shelley’s finest work.

This extensively revised Norton Critical Edition includes new texts and illustrative materials that convey the enduring global conversation about Frankenstein and its author. The text is that of the 1818 first edition, published in three volumes by Lackington, Hughes, Harding, Mavor, and Jones. It is accompanied by an expansive new preface, explanatory annotations, a map of Geneva and its environs, and seven illustrations, five of them new to the Second Edition.

Context is provided in three supporting sections: “Circumstance, Influence, Composition, Revision,” “Reception, Impact, Adaptation,” and “Sources, Influences, Analogues.” Among the Second Edition’s new inclusions are historical-cultural studies by Susan Tyler Hitchcock, William St. Clair, and Elizabeth Young; Chris Baldrick on the novel’s reception; and David Pirie on the novel’s many film adaptations. Related excerpts from the Bible and from John Milton’s Paradise Lost are now included, as is Charles Lamb’s poem “The Old Familiar Faces.”

“Criticism” collects sixteen major interpretations of Frankenstein, nine of them new to the Second Edition. The new contributors are Peter Brooks, Bette London, Garrett Stewart, James. A. W. Heffernan, Patrick Brantlinger, Jonathan Bate, Anne Mellor, Jane Goodall, and Christa Knellwolf.

A Chronology and Selected Bibliography are also included.



Contents

List of Illustrations

Introduction

The Text of Frankenstein

map: Geneva and Its Environs

Title page (1818)

Dedication (1818)

Preface

Frankenstein


Contexts

CIRCUMSTANCE, INFLUENCE, COMPOSITION, REVISION

• Mary Shelley • Introduction to Frankenstein, Third Edition (1831)
• John William Polidori • Letter Prefaced to The Vampyre (1819)
• M. K. Joseph • The Composition of Frankenstein
• Chris Baldick • [Assembling Frankenstein]
• Richard Holmes • [Mary Shelley and the Power of Contemporary Science]
• Christa Knellwolf and Jane Goodall • [The Significance of Place: Ingolstadt]
• Charles E. Robinson • Texts in Search of an Editor: Reflections on The Frankenstein Notebooks and on Editorial Authority
• Anne K. Mellor • Choosing a Text of Frankenstein to Teach

RECEPTION, IMPACT, ADAPTATION

• Percy Bysshe Shelley • On Frankenstein
• [John Croker] • From the Quarterly Review (January 1818)
• Sir Walter Scott • From Blackwood’s Edinburgh Magazine (March 1818)
• Edinburgh Magazine • [On Frankenstein] (March 1818)
• Gentleman’s Magazine • [On Frankenstein] (April 1818)
• Knight’s Quarterly • [On Frankenstein] (August–November 1824)
• Hugh Reginald Haweis • Introduction to the Routledge World Library Edition (1886)
• Chris Baldick • [The Reception of Frankenstein]
• William St. Clair • [Frankenstein’s Impact]
• Susan Tyler Hitchcock • [The Monster Lives On]
• Elizabeth Young • [Frankenstein as Historical Metaphor]
• David Pirie • Approaches to Frankenstein [in Film]

SOURCES, INFLUENCES, ANALOGUES

• The Book of Genesis • [Biblical Account of Creation]
• John Milton • From Paradise Lost
• Percy Bysshe Shelley • Mont Blanc (1816)
• [The Sea of Ice] (1817)
• Mutability
• George Gordon, Lord Byron • Prometheus
• Darkness
• From Childe Harold’s Pilgrimage, Canto III (1816)
• Charles Lamb • The Old Familiar Faces 

Criticism

George Levine • Frankenstein and the Tradition of Realism

Ellen Moers • Female Gothic: The Monster’s Mother

Sandra M. Gilbert and Susan Gubar • Mary Shelley’s Monstrous Eve

Mary Poovey • “My Hideous Progeny”: The Lady and the Monster

Anne K. Mellor • Possessing Nature: The Female in Frankenstein

Peter Brooks • What Is a Monster? (According to Frankenstein)

Bette London • Mary Shelley, Frankenstein, and the Spectacle of Masculinity

Marilyn Butler • Frankenstein and Radical Science

Lawrence Lipking • Frankenstein, the True Story; or, Rousseau Judges Jean-Jacques

Garrett Stewart • In the Absence of Audience: Of Reading and Dread in Mary Shelley

James A. W. Heffernan • Looking at the Monster: Frankenstein and Film

Patrick Brantlinger • The Reading Monster

Jonathan Bate • [Frankenstein and the State of Nature]

Anne K. Mellor • Frankenstein, Racial Science, and the Yellow Peril

Jane Goodall • Electrical Romanticism

Christa Knellwolf • Geographic Boundaries and Inner Space: Frankenstein, Scientific Exploration, and the Quest for the Absolute


Mary Shelley: A Chronology

Selected Bibliography

Frankenstein Editions: 1818 in Oxford World's Classics Series

Frankenstein, or The Modern Prometheus: The 1818 Text
By Mary Shelley
Edited with an introduction by Marilyn Butler
Oxford World's Classics
https://global.oup.com/academic/product/frankenstein-or-the-modern-prometheus-9780199537150?lang=en&cc=us#

Paperback ($8.95)
Published: 01 May 2009
328 Pages
ISBN: 9780199537150

Key features

• Based on the harder and wittier 1818 version of the text. 
• Draws on new research and examines the novel in the context of the controversial radical sciences developing in the years following the Napoleonic Wars. 
• Shows the relationship of Frankenstein's experiment to the contemporary debate between champions of materialistic science and proponents of received religion.

 

Description 

 

Shelley's enduringly popular and rich gothic tale, Frankenstein, confronts some of the most feared innovations of evolutionism and science--topics such as degeneracy, hereditary disease, and humankind's ability to act as creator of the modern world. This new edition, based on the harder and wittier 1818 version of the text, draws on new research and examines the novel in the context of the controversial radical sciences developing in the years following the Napoleonic Wars. In addition it shows the relationship of Frankenstein's experiment to the contemporary debate between champions of materialistic science and proponents of received religion.

Frankenstein from MIT Press

Frankenstein: Annotated for Scientists, Engineers, and Creators of All Kinds
https://mitpress.mit.edu/books/frankenstein

By Mary Shelley
Edited by David H. Guston, Ed Finn and Jason Scott Robert
Introduction by Charles E. Robinson


Paperback | $19.95 Trade | £14.95 | 320 pp. | 6.5 x 9 in | May 2017 | ISBN: 9780262533287

eBook | $19.95 Trade | April 2017 | ISBN: 9780262340250

Overview

Mary Shelley’s Frankenstein has endured in the popular imagination for two hundred years. Begun as a ghost story by an intellectually and socially precocious eighteen-year-old author during a cold and rainy summer on the shores of Lake Geneva, the dramatic tale of Victor Frankenstein and his stitched-together creature can be read as the ultimate parable of scientific hubris. Victor, “the modern Prometheus,” tried to do what he perhaps should have left to Nature: create life. Although the novel is most often discussed in literary-historical terms—as a seminal example of romanticism or as a groundbreaking early work of science fiction—Mary Shelley was keenly aware of contemporary scientific developments and incorporated them into her story. In our era of synthetic biology, artificial intelligence, robotics, and climate engineering, this edition of Frankenstein will resonate forcefully for readers with a background or interest in science and engineering, and anyone intrigued by the fundamental questions of creativity and responsibility.

This edition of Frankenstein pairs the original 1818 version of the manuscript—meticulously line-edited and amended by Charles E. Robinson, one of the world’s preeminent authorities on the text—with annotations and essays by leading scholars exploring the social and ethical aspects of scientific creativity raised by this remarkable story. The result is a unique and accessible edition of one of the most thought-provoking and influential novels ever written.

Essays by
Elizabeth Bear, Cory Doctorow, Heather E. Douglas, Josephine Johnston, Kate MacCord, Jane Maienschein, Anne K. Mellor, Alfred Nordmann


CONTENTS (contents listing derived from JSTOR: https://www.jstor.org/stable/j.ctt1pk3jfp)


     Front Matter
    (pp. i-vi)

    Table of Contents
    (pp. vii-ix)
   
 
    EDITORS’ PREFACE
    (pp. x-xix)
    DAVID H. GUSTON, ED FINN and JASON SCOTT ROBERT
   
    ACKNOWLEDGMENTS
    (pp. xx-xxi)
   
    INTRODUCTION
    (pp. xxii-xxxvi)
    CHARLES E. ROBINSON

 
    FRANKENSTEIN OR, THE MODERN PROMETHEUS

        VOLUME I
        (pp. xxxviii-69)

        VOLUME II
        (pp. 70-125)

        VOLUME III
        (pp. 126-188)

         INTRODUCTION TO FRANKENSTEIN (1831)
        (pp. 189-194)

        CHRONOLOGY OF SCIENCE AND MARY WOLLSTONECRAFT SHELLEY
        (pp. 195-198)
 
    ESSAYS

        TRAUMATIC RESPONSIBILITY: VICTOR FRANKENSTEIN AS CREATOR AND CASUALTY
        (pp. 201-208)
        JOSEPHINE JOHNSTON

        I’VE CREATED A MONSTER! (AND SO CAN YOU)
        (pp. 209-214)
        CORY DOCTOROW

        CHANGING CONCEPTIONS OF HUMAN NATURE
        (pp. 215-222)
        JANE MAIENSCHEIN and KATE MACCORD

        UNDISTURBED BY REALITY: VICTOR FRANKENSTEIN’S TECHNOSCIENTIFIC DREAM OF REASON
        (pp. 223-230)
        ALFRED NORDMANN

        FRANKENSTEIN REFRAMED; OR, THE TROUBLE WITH PROMETHEUS
        (pp. 231-238)
        ELIZABETH BEAR

        FRANKENSTEIN, GENDER, AND MOTHER NATURE
        (pp. 239-246)
        ANNE K. MELLOR

        THE BITTER AFTERTASTE OF TECHNICAL SWEETNESS
        (pp. 247-252)
        HEATHER E. DOUGLAS


    APPENDIXES

        REFERENCES
        (pp. 255-260)
  
        FURTHER READING
        (pp. 261-262)
    
        DISCUSSION QUESTIONS
        (pp. 263-274)
 
        CONTRIBUTORS
        (pp. 275-281)
    
    Back Matter
    (pp. 282-282)
    

About the Editors

David Guston is Professor and Founding Director of the School for the Future of Innovation in Society at Arizona State University, where he also serves as Codirector of the Consortium for Science, Policy, and Outcomes..

Ed Finn is Founding Director of the Center for Science and the Imagination at Arizona State University, where he is also Assistant Professor with a joint appointment in the School of Arts, Media, and Engineering and the Department of English.

Jason Scott Robert is Lincoln Chair in Ethics, Associate Professor in the School of Life Sciences, and Director of the Lincoln Center for Applied Ethics at Arizona State University.

Klinger's The New Annotated Frankenstein due August 2017

The New Annotated Frankenstein
http://books.wwnorton.com/books/978-0-87140-949-2/

Mary Shelley (Author), Leslie S. Klinger (Editor)

With an Introduction by Guillermo del Toro, With an Afterword by Anne K. Mellor

A Liveright book

Book Details

Retail Price: $35.00
Hardcover
Forthcoming August 2017
ISBN 978-0-87140-949-2
8.9 × 10.3 in / 432 pages
Sales Territory: Worldwide



Two centuries after its original publication, Mary Shelley’s classic tale of gothic horror comes to vivid life in "what may very well be the best presentation of the novel" to date (Guillermo del Toro).

"Remarkably, a nineteen-year-old, writing her first novel, penned a tale that combines tragedy, morality, social commentary, and a thoughtful examination of the very nature of knowledge," writes best-selling author Leslie S. Klinger in his foreword to The New Annotated Frankenstein. Despite its undeniable status as one of the most influential works of fiction ever written, Mary Shelley’s novel is often reductively dismissed as the wellspring for tacky monster films or as a cautionary tale about experimental science gone haywire. Now, two centuries after the first publication of Frankenstein, Klinger revives Shelley’s gothic masterpiece by reproducing her original text with the most lavishly illustrated and comprehensively annotated edition to date.

Featuring over 200 illustrations and nearly 1,000 annotations, this sumptuous volume recaptures Shelley’s early nineteenth-century world with historical precision and imaginative breadth, tracing the social and political roots of the author’s revolutionary brand of Romanticism. Braiding together decades of scholarship with his own keen insights, Klinger recounts Frankenstein’s indelible contributions to the realms of science fiction, feminist theory, and modern intellectual history—not to mention film history and popular culture. The result of Klinger’s exhaustive research is a multifaceted portrait of one of Western literature’s most divinely gifted prodigies, a young novelist who defied her era’s restrictions on female ambitions by independently supporting herself and her children as a writer and editor.

Born in a world of men in the midst of a political and an emerging industrial revolution, Shelley crafted a horror story that, beyond its incisive commentary on her own milieu, is widely recognized as the first work of science fiction. The daughter of a pioneering feminist and an Enlightenment philosopher, Shelley lived and wrote at the center of British Romanticism, the “exuberant, young movement” that rebelled against tradition and reason and "with a rebellious scream gave birth to a world of gods and monsters" (del Toro).

Following his best-selling The New Annotated H. P. Lovecraft and The New Annotated Sherlock Holmes, Klinger not only considers Shelley’s original 1818 text but, for the first time in any annotated volume, traces the effects of her significant revisions in the 1823 and 1831 editions. With an afterword by renowned literary scholar Anne K. Mellor, The New Annotated Frankenstein celebrates the prescient genius and undying legacy of the world’s "first truly modern myth."

The New Annotated Frankenstein includes:

• Nearly 1,000 notes that provide information and historical context on every aspect of Frankenstein and of Mary Shelley’s life
• Over 200 illustrations, including original artwork from the 1831 edition and dozens of photographs of real-world locations that appear in the novel
• Extensive listings of films and theatrical adaptations
• An introduction by Guillermo del Toro and an afterword by Anne K. Mellor

Frankenstein: The 1818 Text from Penguin Classics in 2018

Frankenstein: The 1818 Text 
http://www.penguinrandomhouse.com/books/557081/frankenstein-the-1818-text-by-mary-shelley/9780143131847

By Mary Shelley
Introduction by Charlotte Gordon

Paperback Jan 16, 2018
288 Pages


About Frankenstein: The 1818 Text 

For the bicentennial of its first publication, Mary Shelley’s original 1818 text, introduced by National Book Critics Circle award-winner Charlotte Gordon.

2018 marks the bicentennial of Mary Shelley’s seminal novel. For the first time, Penguin Classics will publish the original 1818 text, which preserves the hard-hitting and politically-charged aspects of Shelley’s original writing, as well as her unflinching wit and strong female voice. This edition also emphasizes Shelley’s relationship with her mother—trailblazing feminist Mary Wollstonecraft, who penned A Vindication of the Rights of Woman—and demonstrates her commitment to carrying forward her mother’s ideals, placing her in the context of a feminist legacy rather than the sole female in the company of male poets, including Percy Shelley and Lord Byron.

This edition includes a new introduction and suggestions for further reading by National Book Critics Circle award-winner and Shelley expert Charlotte Gordon, literary excerpts and reviews selected by Gordon, and a chronology and essay by preeminent Shelley scholar Charles E. Robinson.