Celebrating in 2026: the 105th anniversary of the lost film Il Mostro di Frankenstein (1921); the 95th anniversary of Universal Studios’ Frankenstein (1931); the 60th anniversary of Dell Comics’ superhero version of Frankenstein (1966), Hanna Barbera’s television hero Frankenstein Jr, co-star of the series Frankenstein Jr. and The Impossibles (1966), and the films Jesse James Meets Frankenstein's Daughter (1966) and The War of the Gargantuas (1966); the 55th anniversary of General Mills’ cereal mascot Franken Berry (1971); the 50th anniversary of the Saturday-morning television series Monster Squad (1976); the 45th anniversary of the anime film Kyofu Densetsu: Kaiki! Furankenshutain (1981); the 40th anniversary of Ken Russell’s film Gothic (1986) and Fred Saberhagen’s novel The Frankenstein Papers (1986); the 25th anniversary of Curtis Jobling’s picture book Frankenstein's Cat (2001); the 20th anniversary of Grant Morrision’s comic book series Seven Soldiers: Frankenstein (2006); the 15th anniversary of Nick Dear’s play Frankenstein (2011); the 10th anniversary of the Royal Ballet's production of Frankenstein (2016); and the release of Maggie Gyllenhaal’s film Bride! (2026).

Thursday, May 17, 2018

Frankenstein 200 Exhibition Catalog

I wasn't sure what this was when I pre-ordered it, but is an interesting addition to my collection. The book is the catalog (with images and description) of a current exhibition at Indiana University's Lilly Library. I'm glad they have preserved the content for posterity.


Frankenstein 200:The Birth, Life, and Resurrection of Mary Shelley's Monster
Rebecca Baumann, foreword by Jonathan Kearns
http://www.iupress.indiana.edu/product_info.php?products_id=809318
(also available on JSTOR at http://www.jstor.org/stable/j.ctt22p7j32)


Indiana University Press
Distribution: World
Publication date: 04/25/2018
Format: Paperback
ISBN: 978-0-253-03905-7
Paperback: $25.00
Other formats available:ebook $24.99


Two centuries ago, a teenage genius created a monster that still walks among us. In 1818, Mary Shelley published Frankenstein, and in doing so set forth into the world a scientist and his monster. The daughter of Mary Wollstonecraft, famed women’s rights advocate, and William Godwin, radical political thinker and writer, Mary Shelley is considered the mother of the modern genres of horror and science fiction. At its core, however, Shelley’s Frankenstein is a contemplation on what it means to be human, what it means to chase perfection, and what it means to fear things suchsuch things as ugliness, loneliness, and rejection.

In celebration of the two hundredth anniversary of the publication of Frankenstein, the Lilly Library at Indiana University presents Frankenstein 200: The Birth, Life, and Resurrection of Mary Shelley’s Monster. This beautifully illustrated catalog looks closely at Mary Shelley’s life and influences, examines the hundreds of reincarnations her book and its characters have enjoyed, and highlights the vast, deep, and eclectic collections of the Lilly Library. This exhibition catalog is a celebration of books, of the monstrousness that exists within us all, and of the genius of Mary Shelley.


Contents:


Foreword: Cavendish’s Daughters: Speculative Fiction and Women’s History by Jonathan Kearns

Stitched and Bound by Love and Fear: Books, Monsters, and Mary Shelley’s Frankenstein by Rebecca Baumann

Case 1: Mary Shelley and the Birth of Frankenstein

Case 2: Mary and Percy

Case 3: Mary Beyond Frankenstein

Case 4: Mary’s Father, William Godwin

Case 5: Mary’s Mother, Mary Wollstonecraft

Case 6: Mad Science

Case 7: The Gothic

Case 8: The Monster’s Books

Case 9: Victor Frankenstein’s Books

Case 10: Frankenstein in Popular Culture (includes comics)

Case 11: The Undead

Case 12: Artificial Life

Case 13: Adapting Frankenstein

Case 14: Illustrating Frankenstein

Case 15: Outsiders and Others

Case 16: More Monsters

Case 17 and Case 18: Weird Women

Bibliography


Author Bio:

Rebecca Baumann is Head of Public Services at the Lilly Library of Indiana University and adjunct faculty with the Department of Information and Library Science. Baumann is obsessively passionate about sharing the library’s eclectic and wide-ranging collections with visitors of all sorts. Her research interests center on the history of the book, with special emphasis on 19th- and 20th-century British and American science fiction, horror, crime, and pulp. She considers herself a defender of weird books and a friend to all monsters.

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