Another conference outside the US:
Why Frankenstein Matters at 200: Rethinking the Human through the Arts and Sciences, July 4-6, 2018
http://sites.nd.edu/operation-frankenstein/
This bicentennial conference on the persisting cultural and scientific impact of Mary Shelley’s Frankenstein will take place July 4-6, 2018 at the University of Notre Dame’s Rome Global Gateway facility, adjacent to the Coliseum. The conference will bring together a group of distinguished scholars (30-35) from a wide range of disciplinary backgrounds across the sciences, humanities, and arts to interact on the continuing urgency of Frankenstein—the most widely taught novel worldwide at the university level—for a broad spectrum of pressing concerns in such fields as bioethics, genetics, artificial intelligence, evolutionary theory, environmental studies, race relations and colonialism, literary and theater studies, human rights, refugee studies, gender studies, disability studies, philosophy, and religious studies.
The organizing theme of this event considers how Shelley’s gripping
novel, and its many theatrical and screen adaptations over the years,
have shaped or may shape our evolving comprehension of the human
experience, especially in relation to art, culture, science, technology,
ethics, and politics most broadly conceived.
The finalized conference line-up of speakers features, among other
leading writers, Joyce Carol Oates and includes the following speakers:
Stuart Curran, Anne Mellor, Jeffrey Cox, Timothy Morton, David Punter,
Mary Jacobus, James Chandler, Susan Wolfson, Serena Baiese, and Claire
Connolly (literary studies and Romanticism); Steven B. Smith, Nancy J.
Hirschmann, Marina Calloni, and David Archard (philosophy an
d political
theory); Monika Nalepa (political science); Franca Dellarosa
(comparative literature); Elizabeth Young, Ron Leavao, and Devi Snively
(film studies); Eben Kirksey, Jon Marks, and Tracey Betsinger
(anthropology); Charles Gross (neuroscience); Sylvana Tomaselli
(history); Lilla Maria Crisafulli (gender studies) and Holly Goodson
(molecular and cell biology).
Conference activities will also include a new feminist film adaptation of Frankenstein.
The University of Notre Dame conference organizational team
represents the interdisciplinary dynamic of this event: Eileen Hunt
Botting (Political Science); Agustin Fuentes (Anthropology); Anton Juan
(Film, Television, and Theater); Greg Kucich (English), and Devi Snively
(Independent Filmmaker/Anthropology).
Mary Shelley's novel Frankenstein was published in 1818 and, over 200 years later, still remains a profound influence on modern culture. Frankenstein and the Fantastic, an outreach effort of the Northeast Alliance for the Study of the Fantastic and the Fantastic Areas (Fantasy & Science Fiction and Monsters & the Monstrous) of the Northeast Popular Culture/American Culture Association, is designed as a resource for celebrating the text and its legacy.
Celebrating in 2026: the 105th anniversary of the lost film Il Mostro di Frankenstein (1921); the 95th anniversary of Universal Studios’ Frankenstein (1931); the 60th anniversary of Dell Comics’ superhero version of Frankenstein (1966), Hanna Barbera’s television hero Frankenstein Jr, co-star of the series Frankenstein Jr. and The Impossibles (1966), and the films Jesse James Meets Frankenstein's Daughter (1966) and The War of the Gargantuas (1966); the 55th anniversary of General Mills’ cereal mascot Franken Berry (1971); the 50th anniversary of the Saturday-morning television series Monster Squad (1976); the 45th anniversary of the anime film Kyofu Densetsu: Kaiki! Furankenshutain (1981); the 40th anniversary of Ken Russell’s film Gothic (1986) and Fred Saberhagen’s novel The Frankenstein Papers (1986); the 25th anniversary of Curtis Jobling’s picture book Frankenstein's Cat (2001); the 20th anniversary of Grant Morrision’s comic book series Seven Soldiers: Frankenstein (2006); the 15th anniversary of Nick Dear’s play Frankenstein (2011); the 10th anniversary of the Royal Ballet's production of Frankenstein (2016); and the release of Maggie Gyllenhaal’s film Bride! (2026).
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