Counting down to 2024: The sixtieth anniversary of The Munsters, the fiftieth anniversary of Mel Brooks and Gene Wilder's Young Frankenstein, the fortieth anniversary of Tim Burton's original Frankenweenie, the thirtieth anniversary of Kenneth Branagh’s film Mary Shelley's Frankenstein and Universal Studios’ television series Monster Force, the twentieth anniversary of Geof Darrow and Steve Skroce’s comic Doc Frankenstein and Stephen Sommers’s film Van Helsing, and the tenth anniversary of Stuart Beattie’s I, Frankenstein.

Sunday, August 13, 2017

Essential Resource: Approaches to Teaching Shelley’s Frankenstein

Approaches to Teaching Shelley’s Frankenstein
Editor: Stephen C. Behrendt
https://www.mla.org/Publications/Bookstore/Approaches-to-Teaching-World-Literature/Approaches-to-Teaching-Shelley-s-Frankenstein

Pages: x & 190 pp.
Published: 1990
Approaches to Teaching World Literature
ISBN: 9780873525398 (Cloth)
ISBN: 9780873525404 (Paperback)


Description

Mary Shelley’s Frankenstein is both a literary work very much rooted in its age and a cultural artifact that transcends period. “Undeniably one of the great and influential works of the English Romantic period,” writes the editor, Stephen C. Behrendt, the novel provides “an excellent vehicle for introducing students to the complexities of Romantic art and thought.” At the same time, as this volume demonstrates, Frankenstein is often studied in college and secondary school courses focusing not on Romanticism but on science fiction, Gothic fiction, women’s literature, or film and popular culture.

The book, like others in the MLA’s Approaches to Teaching World Literature series, is divided into two parts. The first part, “Materials,” reviews editions of Frankenstein, discusses reference and critical works and recommended reading for students, and lists selected film versions of the novel. In the second part, “Approaches,” instructors present classroom strategies for teaching the novel. The essays are divided into four groupings: general issues (e.g., choosing a text, gender and pedagogy, language and style), contexts of study (e.g., biography, Romanticism), course contexts (e.g., science fiction, women’s studies, composition), and Frankenstein and film.


No contents list available.


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