Celebrating in 2026: the 105th anniversary of the lost film Il Mostro di Frankenstein (1921); the 95th anniversary of Universal Studios’ Frankenstein (1931); the 60th anniversary of Dell Comics’ superhero version of Frankenstein (1966), Hanna Barbera’s television hero Frankenstein Jr, co-star of the series Frankenstein Jr. and The Impossibles (1966), and the films Jesse James Meets Frankenstein's Daughter (1966) and The War of the Gargantuas (1966); the 55th anniversary of General Mills’ cereal mascot Franken Berry (1971); the 50th anniversary of the Saturday-morning television series Monster Squad (1976); the 45th anniversary of the anime film Kyofu Densetsu: Kaiki! Furankenshutain (1981); the 40th anniversary of Ken Russell’s film Gothic (1986) and Fred Saberhagen’s novel The Frankenstein Papers (1986); the 25th anniversary of Curtis Jobling’s picture book Frankenstein's Cat (2001); the 20th anniversary of Grant Morrision’s comic book series Seven Soldiers: Frankenstein (2006); the 15th anniversary of Nick Dear’s play Frankenstein (2011); the 10th anniversary of the Royal Ballet's production of Frankenstein (2016); and the release of Maggie Gyllenhaal’s film Bride! (2026).

Monday, July 10, 2017

Frankenstein (3rd Edition) from Bedford/St Martin's

Frankenstein (Case Study in Contemporary Criticism)
Third Edition ©2016
http://www.macmillanlearning.com/Catalog/product/frankenstein-thirdedition-shelley#tab

By Mary Shelley , edited by Johanna M. Smith (University of Texas at Arlington)

ISBN-10: 0-312-46318-9; ISBN-13: 978-0-312-46318-2; Format: Paper Text, 608 pages

A long-awaited revision of the bestselling Case Study in Contemporary Criticism: Frankenstein

Revised to reflect critical trends of the past 15 years, the third iteration of this widely adopted critical edition presents the 1831 text of Mary Shelley’s English Romantic novel along with critical essays that introduce students to Frankenstein from contemporary psychoanalytic, Marxist, feminist, gender/queer, postcolonial, and cultural studies perspectives. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms.

In the third edition, three of the six essays are new, representing recent gender/queer, postcolonial, and cultural theories. The contextual documents have been significantly revised to include many images of Frankenstein from contemporary popular culture.


Features:
  • An authoritative text of Frankenstein (1831)
  • Exemplary essays about Frankenstein representing contemporary critical approaches
  • A rich selection of cultural contextual documents
  • Highly praised editorial matter, including biographical and critical introductions, bibliographies, and a glossary

New to this edition:
  • Three new critical essays representing recent gender/queer, postcolonial, and cultural theories
  • Expanded collection of contextual documents and illustrations, including images of Frankenstein from contemporary popular culture
  • Updated editorial apparatus

Contents:

Part One Frankenstein: The Complete Text in Cultural Context

Biographical and Historical Contexts

The Complete Text

Part Two Frankenstein in Cultural Context

Part Three Frankenstein: A Case Study in Contemporary Criticism

A Critical History of Frankenstein

Psychoanalytic Criticism and Frankenstein
David Collings, “The Monster and the Maternal Thing: Mary Shelley’s Critique of Ideology”

Feminist Criticism and Frankenstein
Johanna M. Smith, “’Cooped Up” with “Sad Trash”: Domesticity and the Sciences in Frankenstein

Marxist Criticism and Frankenstein
Warren Montag, “’The Workshop of Filthy Creation’: A Marxist Reading of Frankenstein

Gender Criticism/Queer Theory and Frankenstein
New Grant F. Scott, “Victor’s Secret: Queer Gothic in Lynd Ward’s Illustrations to Frankenstein (1934)”

Cultural Criticism and Frankenstein
New Siobhan Carroll, “Crusades Against Frost: Frankenstein, Polar Ice, and Climate Change in 1818”

Postcolonial Criticism and Frankenstein
New Allan Lloyd Smith, “’This Thing of Darkness’: Racial Discourse in Mary Shelley’s Frankenstein

Glossary of Critical and Theoretical Terms



About the editor:

Johanna M. Smith is an Associate Professor of English at the University of Texas at Arlington, where she teaches drama, law and literature, and eighteenth- and nineteenth-century British literature. She has published numerous articles in the latter fields, as well as a Twayne guide to Mary Shelley and a coedited anthology of eighteenth-century British women's life writings. Her current research focus is British women in the public sphere from the mid-eighteenth to the mid-nineteenth century.



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