It is with sadness that I must report that our proposed session on "Frankenstein
and the American Dream?" (details at https://frankensteinandthefantastic.blogspot.com/2017/02/ala-panel-details.html) has been rejected
by the organizing committee of the American Literature Association.
Michael Torregrossa
Area Chair
Mary Shelley's novel Frankenstein was published in 1818 and, over 200 years later, still remains a profound influence on modern culture. Frankenstein and the Fantastic, an outreach effort of the Northeast Alliance for the Study of the Fantastic and the Fantastic Areas (Fantasy & Science Fiction and Monsters & the Monstrous) of the Northeast Popular Culture/American Culture Association, is designed as a resource for celebrating the text and its legacy.
Celebrating in 2025: the 115th anniversary of Edison’s Frankenstein (1910), the 90th anniversary of Bride of Frankenstein (1935), the 80th anniversary of Dick Briefer’s Frankenstein for Prize Comics (1945-54) and the Frankenstein adaptation in Classic Comics #26 (December 1945), the 60th anniversary of Milton the Monster (1965–67), the 50th anniversary of the film version of The Rocky Horror Picture Show, and the 10th anniversary of Graham Nolan and Chuck Dixon’s Joe Frankenstein.
Saturday, February 25, 2017
Thursday, February 9, 2017
CFP Romanticism and Popular Culture (5/15/2017; SAMLA)
Of potential interest:
Romanticism and Popular Culture
Event: 11/03/2017 - 11/05/2017
Abstract: 05/15/2017
https://www.cfplist.com/CFP.aspx?CID=10778
Location: Atlanta, Georgia, USA
Organization: Keats-Shelley Association of America and the South Atlantic Modern Language Association
Romanticism and Popular Culture, an affiliated session of the Keats-Shelley Association of America at the South Atlantic Modern Language Association 89th Annual Conference in Atlanta, Georgia, USA (3-5 Nov. 2017)
In keeping with this year’s conference theme (“High Art/Low Art: Borders and Boundaries in Popular Culture”), this panel seeks papers that address topics related to popular culture and British Romantic-era literature, although other Romanticism-related topics certainly will be considered. Sponsored by the Keats-Shelley Association of America, this affiliated session especially welcomes papers related to second-generation Romantic-era British writers and/or their literary circles, namely those addressing the lives and/or works of John Keats, Percy and Mary Shelley, Lord Byron, Leigh Hunt, and William Hazlitt.
See <http://k-saa.org> for more information about the Keats-Shelley Association of America.
Please send a 250-word abstract, bio or CV (no more than ONE page), and any audio-visual requests to Ben P. Robertson, Troy University (bprobertson@troy.edu), by 15 May 2017.
Contact Email: bprobertson@troy.edu
Website: https://samla.memberclicks.net/
Romanticism and Popular Culture
Event: 11/03/2017 - 11/05/2017
Abstract: 05/15/2017
https://www.cfplist.com/CFP.aspx?CID=10778
Location: Atlanta, Georgia, USA
Organization: Keats-Shelley Association of America and the South Atlantic Modern Language Association
Romanticism and Popular Culture, an affiliated session of the Keats-Shelley Association of America at the South Atlantic Modern Language Association 89th Annual Conference in Atlanta, Georgia, USA (3-5 Nov. 2017)
In keeping with this year’s conference theme (“High Art/Low Art: Borders and Boundaries in Popular Culture”), this panel seeks papers that address topics related to popular culture and British Romantic-era literature, although other Romanticism-related topics certainly will be considered. Sponsored by the Keats-Shelley Association of America, this affiliated session especially welcomes papers related to second-generation Romantic-era British writers and/or their literary circles, namely those addressing the lives and/or works of John Keats, Percy and Mary Shelley, Lord Byron, Leigh Hunt, and William Hazlitt.
See <http://k-saa.org> for more information about the Keats-Shelley Association of America.
Please send a 250-word abstract, bio or CV (no more than ONE page), and any audio-visual requests to Ben P. Robertson, Troy University (bprobertson@troy.edu), by 15 May 2017.
Contact Email: bprobertson@troy.edu
Website: https://samla.memberclicks.net/
Thursday, February 2, 2017
ALA Panel Details
I am pleased to report that Frankenstein and the Fantastic has submitted the following panel to the organizers of the American Literature Association. Notification of acceptance is in March.
Frankenstein
and the American Dream?
Sponsored by Frankenstein
and the Fantastic, an outreach effort of the Fantastic (Fantasy, Horror, and
Science Fiction) Area of the Northeast Popular Culture/American Culture
Association
Organizer and Chair: Michael A. Torregrossa, Independent
Scholar
1. “Bride of Frankenstein as Parody of the
Christ Narrative,” Martin F. Norden, University of Massachusetts Amherst
2. “Frankenstein
and Fulfilling the American Dream: Why We Root for the Underdog,” Cheryl A.
Hunter, University of Massachusetts Lowell/Southern New Hampshire University
3. “Life,
Liberty, and the Pursuit of Love: ‘Happily Ever After’ in Adaptations of Frankenstein,” Maggie Damken,
Independent Scholar
4. “ ‘And What
Was I?’ The Power of Aesthetic Perception in Shelley’s Frankenstein,” Jobin Davis, University of Central Missouri
Audio-visual equipment required: dvd player, projector,
and screen.
Frankenstein
and the Fantastic, an outreach effort of the Fantastic (Fantasy, Horror, and
Science Fiction) Area of the Northeast Popular Culture/American Culture
Association, seeks in this panel to highlight some of the various ways that
Americans have shaped and/or appropriated the Frankenstein story. We begin with Martin Norden’s examination of The Bride of Frankenstein, the sequel to
Universal Studio’s Frankenstein; both
films have had an enormous impact of Americans’ conception of Frankenstein and our reaction to its
creature. Next, we have two related papers, by Cheryl A. Hunter and Maggie
Damken, respectively, each of whom highlight some of the ways that American
creators have produced new narratives that further rewrite Shelley’s story to
allow the creature access to some of the privileges accorded to all Americans. Finally,
Jobin Davis explores ways in which the Frankenstein
story has a more direct influence on the lives of Americans through the
experiences of transgender individuals.
Subscribe to:
Posts (Atom)